Tag Archives: Drama

Twelve Angry Jurors (November 8-17, 2012)

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Twelve Angry JurorsA drama by Reginald Rose | Adapted from the television play by Sherman L. Sergel

A 19-year-old boy has just stood trial for the fatal stabbing of his father. It looks like an open-and-shut case-until one of the jurors begins opening the others’ eyes to the facts. During the discussions each juror reveals his or her own character as the various testimonies are re-examined and the murder is re-enacted before their own eyes! Tempers get short, arguments grow heated, and the jurors become twelve angry people. Their final verdict and how they reach it provides an electrifying and thought-provoking experience and will, we hope, keep audiences on the edge of their seats.

Director’s Notes

Twelve Angry Men was penned by Reginald Rose as a television play in 1954. Rose later wrote the screenplay for and co-produced the 1957 movie with actor Henry Fonda, who played Juror number 8. The story was inspired by Rose’s own experience of serving on a jury in a manslaughter trial. Although written before the fruition of the civil rights struggle, the subject matter remains fresh and relevant. Until the 20th century, both Canada and the United States had relatively open immigration policies for European immigrants. As Canada has become increasingly multicultural, the United States has become increasingly restrictive in its immigration policy.

In the play, a young man is on trial for murder. His race is never disclosed, but he is different and certainly an immigrant. The play touches on themes of race, class, prejudice, family and anonymity, as none of the characters’ names are ever revealed. Each juror is representative of class of persons, or backgrounds, races or creeds. No one in America (and Canada) is not represented by at least one of the twelve jurors.

From time to time, a comedian or celebrity will make a racial comment that will spark enormous debate. Such debates are always heated and the criticism acerbic and vitriolic. We take offence easily and give offence freely, secure in the knowledge that we are not prejudiced. “Well, I’m not prejudiced, but…” It is only in the aftermath of such an event that we take the time to look within. Within the context of that self-denial, each character is called upon to face their inner demons as they are confronted by one another during the deliberations.

The concept of Nature vs. Nurture debates the importance of the relative importance of an individual’s innate qualities versus one’s personal experience. Not easily resolvable, it is one of the subjects that forms part of the jury room deliberations you’re watching today.

I hope you enjoy Twelve Angry Jurors as much as we have enjoyed preparing it for you. And remember, we have three more fabulous shows to come: A Midsummer Night’s Dream, Taking Sides and Romantic Comedy.

Tony Rein
Director

Jitters (September 27 – October 6, 2012)

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JittersA comedy by David French

September 27 – October 6, 2012

This extremely funny play has become a Canadian classic. It begins on the set of The Care and Treatment of Roses, an ambitious work by a budding young local writer, which is now in final rehearsal by a provincial Canadian theatre company. Whatever can go wrong does so but the show, despite all, goes on, even though the New York producer who has promised to attend never arrives, and the surprisingly good (if somewhat sententious) opening night notices set the cast members at each other’s throats — all lending special credence to a remark by one of the actors who, when the rattled director implores his cast to behave like adults, replies: “We’re not adults, we’re actors.”

Bus Stop (March 15-24, 2012)

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A Drama by William Inge

In this warm and affecting hit drama, with romantic and some comedic elements, Pulitzer Prize-winning playwright William Inge examines some of the many faces of love. Bus Stop is about a group of strangers travelling by bus stranded in a rural Kansas diner during a freak snowstorm. The compelling narrative observes eight characters as they experience frustration, tears and laughter, examine their own motivations and forge unlikely romantic connections in a single night.

Crown Matrimonial (November 17-26, 2011)

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A Drama by Royce Ryton

This year sees the 75th anniversary of the 1936 abdication crisis which brought the diffident and stuttering King George VI to the throne, an event depicted in the recent highly successful film, The King’s Speech. It is this crisis which is at the heart of Royce Ryton’s play, showing us the volatile relationship between Queen Mary and her son King Edward VIII caused by his love affair with a divorced woman, Wallis Simpson. The author shows us the King’s conviction that without Mrs. Simpson he could not do his job, and his readiness to sacrifice his throne and his family, espe-cially his stammering younger brother, who must succeed him.

The Winslow Boy (September 29 – October 8, 2011)

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A Drama by Terence Ratigan

Based on a true incident, The Winslow Boy is considered by some to be the finest work of the brilliant British writer Sir Terence Ratigan, a master of the “well made play” and immensely popular at the box office during his life time. In the play, young Ronnie Winslow is accused of theft and is expelled from the Royal Naval College at Osborne without a trial. Ronnie protests his inno-cence to his father, who is determined to clear his son’s name no matter what the cost. It is the father’s fight to “Let Right Be Done” in the face of injustice that captivates and enthrals the audience.

Praise for The Winslow Boy

 

The Crucible (May 5-14, 2011)

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A Drama by Arthur Miller

Winner of the 1953 Tony Award for best play, this exciting drama about the Puritan purge of witchcraft in old Salem, Massachusetts, is both a gripping historical play, and a timely parable of our contemporary society. The plays shows how small lies — children’s lies — build and build, until a whole town is aroused and nineteen men and women go to the gallows for being possessed of the Devil. After a servant girl maliciously accuses a farmer’s young wife of witchcraft, the farmer brings the girl to court to admit the lie. The ensuing thrilling, blood-curdling, and terrifying trial scene, with its depiction of bigotry and deceit, hurtles the characters to a sad and ironic conclusion. Miller wrote the play after he was hauled before the House Committee on Un-American Activities on charges of being a Communist.

‘Art’ (March 10-19, 2011)

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A Drama by Yasmina Reza. Translated by Christopher Hampton

How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc’s best friends, Serge, has just purchased such a painting. To Marc, the painting is a joke, but Serge insists that Marc doesn’t have the proper standards to judge the work. Another friend, Ivan, although burdened by his own problems, likes the work. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. Arguments become more personal. Serge gives Marc a felt pen and dares him: “Go on!” Friendship is finally tested but the aftermath affirms the power of those bonds. Absolute hilarity!

“…sounds like a marriage of Molière and Woody Allen.” – Newsweek

Inherit the Wind (January 13-22, 2011)

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A Drama by Jerome Lawrence & Robert E. Lee

“A masterpiece! To see a play once, twice, three times, and each time to leave the theatre as deeply moved, as enlightened, as lifted up, as magnificently entertained—this is the test!” – Columbus, Ohio, Citzen

This is the play that has as its genesis the events of the famous Scopes trial and its controversial arguemnt as to the origin of man! One of outstanding dramas of our time. The portrait it draws of an explosive episode in American culture, vigorously written, remains one of the most stirring plays in recent years, yet retains its folk flavour and spiritual awareness.